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Hello,
While waiting for new articles and press releases, here is a little quiz:

Does anyone recognize this picture?


Sbizzarritevi with the assumptions .. mentioned author, title and possibly where the museum is preserved ..
Monday will reveal that the framework is and why he earned a spot on our blog!
know you do not sleep ...

Andrea

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Journal of Cultural Heritage - Press Review, Part I

With this and the next post I groped a little experiment, to create a new kind of book. I'll try to summarize in a few lines the content of the articles that appear in the latest edition of the Journal of Cultural Heritage , a magazine specializing in the field of cultural heritage from cutting more scientific. As in a press release a bit 'unusual, I will review the salient features of the contributions reported in Volume 9, Issue 4 (September-December 2008) of that magazine (not to create the post too long and heavy, divide the review printed in more parts! I cover the first two articles in this post and the remainder in future posts). Anyone interested in learning more then any of the topics covered will follow the link that leads directly to the relevant article (viewable and downloadable from the site of Sciencedirect only if registered and subscribers, often the research groups and universities are). Alternatively, at your request if you, dear readers, the next post we could treat more detail in the articles that have intrigued more!

After this necessary introduction, let's go.

Journal Of Cultural Heritage
Volume 9, Issue 4, (September-December 2008) - Part One (pp. 357-375)

Ancient Resources: Knowledge and Dating

Georadar and passive seismic survey in the Roman Amphitheatre of Catania (Sicily)
Pages 357-366
S. Castellaro, S. Impose, F. Barone, F. Cotter, S. Gresta, F. Mulargia

The soil on which the Roman Amphitheatre in Catania has been the object of study of this work, they have been used geophysical techniques survey (GPR exploration, drilling and non-invasive methods, such as passive seismic stratigraphy) to collect information on the stratigraphy of the site and the possible effects they may have on it earthquakes.
The work is far from the arguments that I am so I have the expertise to evaluate the possible innovative elements or the importance of this study, but I think a job is certainly interesting especially as regards the aspect of prevention seismic activity. The seismic risk in Italy everywhere is quite high and understand what would be the effects of an earthquake is fundamental to allow engineers to take on the monuments archittettonic with solutions that minimize the damage by ensuring, on the other hand, the lowest impact on the work of art.



Silicatescape - preserving the old building materials in urban center landscape: The case of the silicate brick and urban planning in Tel Aviv-Jaffa
Pages 367-375
Irit Amit-Cohen

At a time when the state of Israel filled the pages of all newspapers for events related to the Palestinian question, of Tel Aviv there comes a very special article. Part of the historic center of this city, in fact, has been called the Cultural Heritage of Humanity in 2003 and four years later was drawn up a list of buildings on which to focus their conservation efforts. These are linked by an architectural style based on a particular building material, the "silicate brick, used in Israel in the first half of the 900. The author in this article (which is scientific in the strict sense, to be honest, not much) complains that the municipal authorities in Tel Aviv, despite the importance of this building material, have it removed completely from urban planning for decades. The discussion then focuses on the importance of recovering this example of vernacular architecture , being aware of the role that in the past have had such materials. The author takes the story of Israel as an example brick for all those cases in which we should think of the urban renewal of city centers.
In this case the topics are, if anything, even more distant from that of which I am involved than were those of the previous article, so I know better than to make judgments or comment!



well I hope that welcomes this attempt to browse the latest news on the front of publications on conservation of cultural heritage. I realize that this first post in the treated articles are perhaps among those that may be of interest to most readers of this blog, but it seemed unethical to exclude a priori, According to my personal taste, some items more than others!
If you have any question, comment or curiosity to do, I recommend, get in!
... And do not miss the next episode, which will be considered in two articles in which the part of scientific research is much more consistent!

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The super manager of the Cultural Heritage

Hello,

It is now a few months ago news that the Minister of Heritage and Culture, Sandro Bondi, would create a new figure in the cultural heritage: the "Director General for the development of museums."
In projects Minister that person would have among its duties, the 'permission to all loans for exhibitions, the decision on what the exhibition of "significant cultural, scientific research programs on the museum's holdings and, finally," the criteria for 'reliance on loan or deposit of goods or property by museums. "
We now know that it was actually taken a step back on the creation of this new figure (now called the "Director General of Museums") and especially the powers referred to it, is still interesting, in our opinion, talk about this and we would like to know your opinions.

The plans of the Minister, of course, Such a solution would help the ministry to boost the coffers and now wan to manage in a more simple (but also more authoritarian) all the various operations in the world of art, such as loans, exhibitions and acquisitions. This view is confirmed by the person who is going to hold this office: Mario Resca , business person of undoubted quality, but never had to do with the Cultural Heritage or works of art in general.

While it is important to be able to "value" their cultural heritage, it is essential to interpret that "exploitation" as the ability to allow anyone to take advantage of this wealth. No coincidence that many Italian sites are the property of 'UNESCO, or the heritage of' humanity.
The new manager should assist in ensuring the widest possible enjoyment and easily by everyone, not to mere financial speculation in the works for "make money".

The problem of recovery of funds for cultural heritage must surely be addressed, even the huge "turtle" bureaucratic, affecting most areas in Italy, must be fought by all means.
The "Director General of Museums" is the answer? It is not likely to have an overly "Economist" (Pass me the term) of cultural heritage, relegating works or places that are in fact pregnant with meaning, history and morality to mere objects of sale? It is not likely
perhaps a gradual shift in conservation efforts (and investment) to those sites "known" to those places, that is, allowing a greater monetary return, to the detriment of the sites (and works) "minor"?

We have launched our pebble in the pond ... waiting for your answers!

Andrea

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antiretroviral

Already in 2000 in the departments of infectious diseases, where AIDS is rampant big business, were aware of serious degenerative diseases that protease inhibitors, medicines used for the "care" of 'AIDS, could cause skeletal people.
a patient came to the clinic with severe pain in the head of the femur, the quadriceps and groin of the right leg, so that it could not walk without the support of a crutch.
the patient guinea-pig, which was beginning to be impatient, took about two years antiretroviral drugs, protease inhibitors (which are not intended to kill the retroviruses).
two specialists diagnosed "eye" and with a certain conviction, a femoral head osteonecrosis. (Then know) waiting to know what to do, requiring Aulin help maintain twice a day.
the "lucky" he had arthritis and resolved in a month, taking Aulin necessary.
In 2007, a patient of infectious diseases, HIV positive, he discovered that he suffers from a bilateral osteonecrosis of the femoral heads, and began his ordeal today that 2009 is not finished yet.
doing research was able to find information about the drug because of this disease.
drugs responsible, inhibitors protease, steroids, and coumadin, a smooth flow of blood.
doctors in the department of infectious diseases, denied the responsibility of antiretroviral drugs, while doctors in other departments, perhaps not aware that the silence on the subject, naturally confirmed what he had understood. and here is a statement from the ministry of health

"Musculoskeletal
As a consequence of treatment with antiretroviral drugs is almost all described the onset of widespread myalgia.
may arise in the first few weeks or more late. As might be
increase expression of the lactic acid is useful when symptoms are important and accompanied by fatigue, perform an audit of
lactacidemia.
More recently it has been reported the onset of osteopenia and osteoporosis perhaps put more
report the use of IP is often accompanied by pictures of lipodystrophy and high levels of lactic acid.
serious and disabling disease that can involve the skeletal system is the osteonecrosis. Have been reported
osteonecrosis of the femoral head of the humerus and, more rarely, often bilateral in patients on HAART. This is
paintings, many which lead to a high level of disability described in patients with HIV infection, even before
use of aggressive treatments, but whose reporting is undoubtedly increased in recent years.
not seem to correlate to a particular class of drugs. Osteonecrosis occurs initially with pain in the head and then articulate
concerned with functional impairment may be severe.

http://www.ministerosalute.it/imgs/C_17_pubblicazioni_7_allegato.pdf

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Renovating "At the same time" ...

Hello,

here we are with the first post of the year!
I wanted to tell you about an interesting article that appeared on the "Friday" of the Republic of the week. This is an interview with Antonio Rava, one of the greatest Italian experts (perhaps the only?) The restoration of works of contemporary art. This article discusses an interesting issue: how to deal with restoration of works of contemporary art , which uses ephemeral materials, and often consists only of an idea? ".

The question is not trivial. Increasingly, in fact, the artist married the most diverse materials and complex, feeding his creativity with what modern technology available to the (plastic, laser, cathode ray tubes ...). Often the works are even designed to NOT durable .
How we deal with the restoration of a work which is nothing but an inflated balloon artist? (Artist's Breath - Piero Manzoni ) You can replace the balloon with an identical, but to do with the breath of the artist, if he is gone?
Still, oil paintings on a layer of tar, that slowly sucks the paint by removing the painting itself (Luigi Stoisa); piles of candy that the public is invited to consume ( Felix Gonza-les Torres ).

Untitled (Portrait of Ross in LA), 1991, Felix Gonzalez-Torres

These works give the materials, and their futility, a very important and would be almost against the wishes of the artist if you are trying to keep them in time. Other works, however, give great importance to the idea, the message, and leave the problem of materials, so that demand continuous action, such as the work " Sculpture eating" of Giovanni Anselmo.

Sculpture eating, Giovanni Anselmo, Paris, Centre Pompidou

To make the contrast between the freshness of lettuce and immobility of the stone is still alive, you must replace the lettuce every day.
Another artist, Anselm Kiefer, used in his paintings of flowers and seeds and its lands, providing for their degradation, created veritable archive of hundreds of specimens to be used for replacement, but when they end up?

short, deal with the restoration of works of contemporary art can become a real headache, then becomes increasingly necessary to enter the intellectual world of the artist, so as to avoid actions that, while technically flawless, it betrays its poetry.

Once again, the restoration requires the intervention of a figure prepared in chemistry and materials, a professional who manages to speak scientifically about the work, while maintaining the sensitivity of an art historian. a Conservation Scientist, precisely.

How would you handle these restorations? Replace, let decay, with photographs capture? To you the word!

Andrea