Sunday, January 25, 2009

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Journal of Cultural Heritage - Press Review, Part I

With this and the next post I groped a little experiment, to create a new kind of book. I'll try to summarize in a few lines the content of the articles that appear in the latest edition of the Journal of Cultural Heritage , a magazine specializing in the field of cultural heritage from cutting more scientific. As in a press release a bit 'unusual, I will review the salient features of the contributions reported in Volume 9, Issue 4 (September-December 2008) of that magazine (not to create the post too long and heavy, divide the review printed in more parts! I cover the first two articles in this post and the remainder in future posts). Anyone interested in learning more then any of the topics covered will follow the link that leads directly to the relevant article (viewable and downloadable from the site of Sciencedirect only if registered and subscribers, often the research groups and universities are). Alternatively, at your request if you, dear readers, the next post we could treat more detail in the articles that have intrigued more!

After this necessary introduction, let's go.

Journal Of Cultural Heritage
Volume 9, Issue 4, (September-December 2008) - Part One (pp. 357-375)

Ancient Resources: Knowledge and Dating

Georadar and passive seismic survey in the Roman Amphitheatre of Catania (Sicily)
Pages 357-366
S. Castellaro, S. Impose, F. Barone, F. Cotter, S. Gresta, F. Mulargia

The soil on which the Roman Amphitheatre in Catania has been the object of study of this work, they have been used geophysical techniques survey (GPR exploration, drilling and non-invasive methods, such as passive seismic stratigraphy) to collect information on the stratigraphy of the site and the possible effects they may have on it earthquakes.
The work is far from the arguments that I am so I have the expertise to evaluate the possible innovative elements or the importance of this study, but I think a job is certainly interesting especially as regards the aspect of prevention seismic activity. The seismic risk in Italy everywhere is quite high and understand what would be the effects of an earthquake is fundamental to allow engineers to take on the monuments archittettonic with solutions that minimize the damage by ensuring, on the other hand, the lowest impact on the work of art.



Silicatescape - preserving the old building materials in urban center landscape: The case of the silicate brick and urban planning in Tel Aviv-Jaffa
Pages 367-375
Irit Amit-Cohen

At a time when the state of Israel filled the pages of all newspapers for events related to the Palestinian question, of Tel Aviv there comes a very special article. Part of the historic center of this city, in fact, has been called the Cultural Heritage of Humanity in 2003 and four years later was drawn up a list of buildings on which to focus their conservation efforts. These are linked by an architectural style based on a particular building material, the "silicate brick, used in Israel in the first half of the 900. The author in this article (which is scientific in the strict sense, to be honest, not much) complains that the municipal authorities in Tel Aviv, despite the importance of this building material, have it removed completely from urban planning for decades. The discussion then focuses on the importance of recovering this example of vernacular architecture , being aware of the role that in the past have had such materials. The author takes the story of Israel as an example brick for all those cases in which we should think of the urban renewal of city centers.
In this case the topics are, if anything, even more distant from that of which I am involved than were those of the previous article, so I know better than to make judgments or comment!



well I hope that welcomes this attempt to browse the latest news on the front of publications on conservation of cultural heritage. I realize that this first post in the treated articles are perhaps among those that may be of interest to most readers of this blog, but it seemed unethical to exclude a priori, According to my personal taste, some items more than others!
If you have any question, comment or curiosity to do, I recommend, get in!

... And do not miss the next episode, which will be considered in two articles in which the part of scientific research is much more consistent!

Friday, January 16, 2009

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The super manager of the Cultural Heritage

Hello,

It is now a few months ago news that the Minister of Heritage and Culture, Sandro Bondi, would create a new figure in the cultural heritage: the "Director General for the development of museums."
In projects Minister that person would have among its duties, the 'permission to all loans for exhibitions, the decision on what the exhibition of "significant cultural, scientific research programs on the museum's holdings and, finally," the criteria for 'reliance on loan or deposit of goods or property by museums. "
We now know that it was actually taken a step back on the creation of this new figure (now called the "Director General of Museums") and especially the powers referred to it, is still interesting, in our opinion, talk about this and we would like to know your opinions.

The plans of the Minister, of course, Such a solution would help the ministry to boost the coffers and now wan to manage in a more simple (but also more authoritarian) all the various operations in the world of art, such as loans, exhibitions and acquisitions. This view is confirmed by the person who is going to hold this office: Mario Resca , business person of undoubted quality, but never had to do with the Cultural Heritage or works of art in general.

While it is important to be able to "value" their cultural heritage, it is essential to interpret that "exploitation" as the ability to allow anyone to take advantage of this wealth. No coincidence that many Italian sites are the property of 'UNESCO, or the heritage of' humanity.
The new manager should assist in ensuring the widest possible enjoyment and easily by everyone, not to mere financial speculation in the works for "make money".

The problem of recovery of funds for cultural heritage must surely be addressed, even the huge "turtle" bureaucratic, affecting most areas in Italy, must be fought by all means.
The "Director General of Museums" is the answer? It is not likely to have an overly "Economist" (Pass me the term) of cultural heritage, relegating works or places that are in fact pregnant with meaning, history and morality to mere objects of sale? It is not likely
perhaps a gradual shift in conservation efforts (and investment) to those sites "known" to those places, that is, allowing a greater monetary return, to the detriment of the sites (and works) "minor"?

We have launched our pebble in the pond ... waiting for your answers!

Andrea